Tuesday, December 15, 2009

God(tm) review @ Robot 6

I was also interviewed about the project. Check it out!


http://robot6.comicbookresources.com/2009/12/unbound-elan-trinidad-on-god-tm/#more-29247

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Wednesday, July 8, 2009

The Girls Entertainment Network: Best Digital Comic


http://www.girlsentertainmentnetwork.com/best-digital-comic/

Down at Girls Entertainment Network They just did a review about the Eisner Nominees for Best Digital Comic.

They're also holding a contest. You can win, as they call it, an "Eisner-nominated prize pack". I assume that would be a bunch of free Eisner Nominated comics, but don't take my word on it.

So make a COMMENT and you might get FREE STUFF

The last day to make comments is Friday.

Anyway, I'm tempted to comment on the review. But when I make a comment about my work, what I thought would be a short little comment, turns out to be a long-ass essay. Its like I want the last word. I'm trying to not make that into a habit.

So I'll make my comments here:
Perhaps I'm a bit of a masochist, but I'd like people to say-- "The art could've been better" or "The characters weren't fleshed out" I'd like to know where I fell short because my best work will always be my next comic and today's criticisms help make tomorrow's comic better... and I mean constructive criticism.

And in award nominations like these, I would've expected the writers and editor at GEN to simply say "This is our Eisner win prediction". They might as well since Eisner voting has ended a little less than a month ago and they would have no effect on the votes.

Who knows, if they predicted, they might get all their predictions right, and next year this site might be "The Crystal Ball"

And I'm usually at the last of these Eisner Nominee lists. Is it because I'm the underdog? Is it because people aren't sure what to make of a Mexican in Space? Is it because you save the best for last? Who knows.

Its interesting to read reviews on Speak No Evil. Its almost like you get a Rorschach test on the reviewer's economic class and ethnic background.

--well, I got the comment demon out of me. Maybe I'll post something and see if I'll get something for free.

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Wednesday, July 1, 2009

Girls Entertainment Network Presents Eisners 2009

And now this important message from The Girls Entertainment Network:

For one exciting week in July, the GEN comics team reviews over fifty books nominated for the 2009 Eisner Awards!

In celebration of the 2009 Eisner Awards, the Girls Entertainment Network comics team will be presenting a week-long feature event focusing on a select ten nomination categories: Best Short Story, Best Continuing Series, Best Limited Series, Best New Series, Best Digital Comic, Best Writer, Best Writer/Artist, Best Penciller/Inker or Penciller/Inker Team, Best Cover Artist, and Best Coloring. The articles--released two at a time for a total of ten articles--will be written by the five comics staff members and focus on one category at a time, highlighting each of the nominees.

This upcoming event will help to promote comics at the Girls Entertainment Network and build a better interactive community of readers and fans. To facilitate this process and strengthen the overall outcome, three winners will be randomly chosen from a pool of commenters during the event week. The winners will be announced and contacted by the Comics Editor, Stephanie "WITA" Carmichael, at the end of the contest, and each will be awarded a custom Eisner-nominated prize pack featuring a congratulatory note from the GEN comics girls!

The Eisner review feature is the biggest undertaking from the GEN comics section yet and results from the collaboration of dozens of publishers and creators--including Marvel, DC, Dark Horse, and many more! The event and contest will begin Monday, July 6th and end Friday, July 10th.


I just thought this was an appropriate image- Elan'

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Friday, June 19, 2009

Theory of Everything Comics - Liked and Loved by all

Just look at all the comments people have left on the shout box [most likely for God(tm)]

Olia Hoshi says "Nice, I like it."

Willetta Markham raved "Nice, I liked it."

Guntar Sheffield cried out with sheer joy "Very nice, I loved it."

Fionna Boland whispered in girlish glee "Very nice, I like it."

Agosto Kuruppillai yelled out of a fiftieth floor window "Very nice, I loved it."

Leona Willhoff communicated in sign language "Very nice, I liked it."

Hakeem Bress forged a neon sign using his knowledge of noble gases and talents in glass blowing exclaiming to the world "Nice, I liked it."

Granger Herod developed a new system of mathematics which uses nothing but prime numbers and fractions in order to formulate the simple and elegant idea of "Very nice, I like it."

Harbert McColl murdered a drifter that only exists in his mind and used the imaginary blood to spell out "Nice, I like it."

Dyane Farmer lost two colleagues during her climb to the top of Mt. Everest and planted a flag that states her feelings about Theory of Everything Comics which spells in Sanskrit: "Very nice, I love it."

Elli Capes was a 16th century sea going Captain who had mystical visions of the 21st century. One of his visions was of Theory of Everything Comics and in his memoirs, which, at the time were deemed evidence of his madness, gave a positive review of a web comic that did not yet exist and it said in remarkable handwriting: "Nice, I love it."

Kelly Buggie, through her psychic link with her male half-breed Chihuahua expressed, without words or facial cues, in consummate canine brainwaves "Very nice, I love it."

Wang Reiser had a car accident that left half of his body susceptible to the elements. Through a secret Canadian Government Project, that missing half was recreated, but as a robot. It took fifteen years for the Canadian Government to find an adequately realistic voice box. And as soon as his new voice box was 100% functional, he could only respond to the new and interesting web comic created by Elan' Rodger Trinidad. And in a voice that uncannily synthesized the tone and tamber of musician/actor Tom Waits, he said "Nice, I liked it."

...and then gave a pretty good interpretation of Tom Waits "Chocolate Jesus."

Thank you, all of you for your love of my work. If anyone would like to continue the tradition liking and loving my work, you are very welcome to. Just go to our homepage http://www.theoryofeverythingcomics.com/, scroll down a bit, and write in the shout box.

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Wednesday, May 27, 2009

God(tm) - review at Fleen

So, Memorial Day I was busy, had to do photoshop booger people for a pre-visual for a commercial (basically, none of my work will be shown in the commercial, but my work is being used to help develop the 3D look and make a test commercial for test merketing) and I voraciously emailed several sites asking them to review God(tm)

Check out the review at Fleen.com, he gave me a thumbs up.

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Wednesday, May 6, 2009

God(tm) - because its 1:15 in the morning and I want to sound smart.

I was just reading Paul Sloboda's review of God(tm)...again (I'm much too lazy to cut and paste the complete title right now, and at some point I ought to memorize it)

One of the things he likes is the pixellation of corporate logos.

The usage of low-resolution pixellation in the comic is a brilliant touch. I'm sure more than one person will think it's a problem with their browser. He employs this approach on a number of corporate names and logos, and it seems to walk hand in hand with the contractually obscured nature of the comic's title. Legally, I'm sure Elan couldn't stretch the copyright concept of "Fair Use" far enough to use the real St*tb*cks logo in every instance he has it obscured in the comic... but artistically, why would he want to? If copyright laws don't allow him to do it, it's their shortcoming he's illustrating, in their bold and clunky pixellated matrices.




There are several reasons why I do this:

1) I don't want anyone to sue me but I do believe in fair use. Its weird that modern media has to be a little careful to use corporate logos in order to artistically comment and express the realities of our modern world. After all, these billboards, t-shirts, banner ads, etc. etc. have invaded our world are part of the flora and fauna of our modern world. And depicting this or that fast food logo or this or that erectile dysfunction ad should be natural when we contribute to this culture.

I mean, I could use the real logos. But when this book sees print, I might be over using the logos so much that I could get sued.

2) I find it distracting when artists use fake logos. Look at Geof Darrow's work on Hard Boiled. There's familiar red cans that say "Cola Cola" in nice friendly letters and fake advertisements that whirlwind into the visual noise of urban life. I'm not criticizing Darrow's brilliant work, but you tend to pay more attention to the ads than you would to the ads in your everyday life.

I wanted something familiar, like when you see a guy on COPS and his t-shirt is all blurry. Or when you're out and about, past bus billboards, and you only give the ad half a thought because you realize your date stood you up (you know who you are).

There's something impressionistic about the cacophony of advertisements these days. And I chose to make it literal.

3) Some ads are just squiggles I draw in Photoshop and then I hit the mosaic filter. Making obscured ads is less time consuming than drawing fake ones. I'm also a very lazy artist.

4) One theme that is apparent, or will become apparent, in this story is equating corporate entities to deities. Corporations have the same rights as people. That's so the individual(s) who own a corporation don't have to deal with the fuss about paying taxes or buying pencils or going to jail.

But corporations have sort of become our pagan gods. We pray to them by buying their goods and services. They employ middle management and accountants as their priests. When we appease them, they make our economy prosper.

And when we say their name in vain and slander, they send their lawyers down from the heavens and hand us a cease and desist notice.

Don't get me wrong. I'm not some liberal who hates anything and everything corporate. But I am a moderate who looks at corporations with a weary eye, just like I look at the guy who asks me for change. I have benefited from corporate goods, services, and employment (especially employment) over the years. I'll be good to them if they shower me with electronics and movies and processed food. But corporations aren't gods. They're more like a cow that has walked into your living room. You want its milk and meat, but you don't want to have to plan your life around a cow that is in your living room.

And that's why we should vote for leaders who will (hopefully) take the cow outside and milk it for us, or in some cases, take it to the slaughter house.

Corporations are creatures that will do anything and everything to eat money. If what they do is helpful to us, we should reward a corporation for making our lives easier. They will tell us lies and half truths to make them believe in their brand, but in the end, you'll realize that this deodorant isn't helping you get laid, despite what the magic box says. But you like how it makes you smell because its a better option than how you'd usually smell.

5) Pixellation looks really cool. I wonder why it isn't used more often.

6) By obscuring a logo, since the colors were chosen to be associated with that brand, you still understand what that brand is.

Anyway, I hope this all makes me sound really smart and that I never get sued. If I ever do get a cease and desist notice, then that cease and desist notice will be used to obscure that logo.

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Monday, May 4, 2009

Peoples reviewing me

Down at Fool's Gold Press Paul Sloboda did a review of God(tm). He says many nice things about it. And I say many nice things about his book. Lately he's been putting up comics online (partially because I told him to).

Also at Webcomics Overlook I'm reviewed along side all the other Eisner Nominees. This is a much more unbiased review. I'm not El Santo's favorite. But also he doesn't get that this story was a comedy and a tragedy all at the same time.

...either that or I can't make up my mind what genre to stick to when I write stuff.


At least he makes reasonable arguements.

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Wednesday, April 29, 2009

Press stuff

There's a nice little article about this years Eisner Digital Comics Nominees. You might not be eligible to vote for my comic for the Eisners, but you could at least vote for it on their little poll.

Visit suvudu.com and if you feel like voting for the underdog, vote for "Speak No Evil"

Also, at webcomicbeacon.com the mention "Speak No Evil" and "God(tm) (c) 2XX8 *** ***** ****** ******* Incorporated. All rights reserved. God and all related characters, titles, names and documents are trademarks of *** ***** ****** ******* Incorporated. No similarity between any of the names, characters, persons and/or institutions in this deity with those of any living or dead person or institutions is intended and any such similarity which may exist is purely coincidental." This is probably the first bit of press that-- what I wish to be the Theory of Everything Comics flagship (though it probably won't end up that way) has ever gotten.

It's probably because I'm telling everyone that its okay to just call it "God(tm)" and that the entire title would take up a good portion of the podcast.

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Saturday, April 11, 2009

2009 Eisner Nominees

So this year's Eisner Awards in Digital Comics is very special for me. Speak No Evil has been nominated. I could go on and on about it, as I have been telling the great news to friends. But lets look at the other nominees and why they're deserving of an Eisner.


Bodyworld
, by Dash Shaw
This comic book is an entire graphic novel online. It has twelve chapters and I've only gotten to Chapter Three or Four so far. Its very designy and has a good color palette. The story is set in the near future about a drug addicted botanist who has to test a newly discovered plant. I just got to the chapter that shows what the plant does when you smoke it. I could imagine reading this on a couch, blankets over my lap, by a lamp. I would probably be done reading it within a day. But as a digital comic, sitting on an office chair, looking at it on a screen, clicking, clicking, clicking-- I could only read a few chapters at a time.


Finder, by Carla Speed McNeil
This isn't Carla Speed McNeil's first Eisner nomination. She already has a fan-base with Finder and has done other print comics. She has this very fluid brush line that I'd like to see more of. She has a very feminine quality to her work. I know nothing of "Finder". The Eisner entry starts somewhere in the middle in this world. It took me a while to get used to it.


The Lady's Murder, by Eliza Frye
"The Lady's Murder" is just beautiful. Its full of fluid shapes and color flowing from page to page. Its just pretty. When I read this, I could live with not getting an Eisner this year.


Vs., by Alexis Sottile & Joe Infurnari
This is another comic, if it wins, I could understand. Joe Infurnari was nominated last year in the same category for The Process. Last year Joss Wheadon's comic won. Although Vs. is nowhere near as crazy or beautiful as "The Process", its still a fun comic about living with next-door neighbors.


By the way, this story is part of an anthology called Next-Door Neighbor edited by Dean Haspiel.

Last but not least:
Speak No Evil: Melancholy of A Space Mexican, by Elan' Rodger Trinidad
I probaby see more things wrong with this comic than I see right. So you be the judge.

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Saturday, March 14, 2009

Watchmen -- my review and obvious spoilers

I'm not going to get into how much I love the original masterpiece. Its obvious. I mean, my work is viral with the Nixon and the Hostess and all.

But by the end of that movie I walked out of the theater disappointed. I was tempted to walk out when Laurie was talking to her mother about her real father, but I stuck around hoping it'll be saved in some way. It was too late, but the shot of New York being reconstructed was a nice touch which could've been used in the comic.

Almost all the changes, I felt were valid. Pacing is important in a film. Some parts they had to shorten or take out. I'm not one of those fans yelling: "BUT WHAT ABOUT THE PIRATE STORY??!!!"

The chemistry between Nite Owl and Silk Spectre II didn't exist at all. The actress who played Silk Spectre II wasn't mature enough for that role. I could live with having a younger person play that role, but she needs to be a better actress.

Nite Owl was good enough. I think his non-heroic voice made up for Nite Owl not looking silly.

The Comedian was okay. I think they could've done something to his voice so he sounded older. But he looks too much like Robert Downey Jr.

Rorschach was perfect. Dr. Mahnattan was good. Ozymandius -- wasn't villainous enough, he couldn't pull of the moral dilema that he had.

I was okay with the fact that this film lacked subtlety. In the comic, the sentence "The Comedian is Sally's father" was never said, it was implied. In the comic, the sex scenes had a sort of subtlety to them. More like having real sex than watching porn. The slow motion shots-- like when Veidt got shot-- I could live with that, but too many.

Some scenes, like the opening sequence and Nite Owl & Silk Spectre fighting in jail, I didn't like when I saw them on youtube. But put into context, they were fine.

BUT!!!!

Putting the blame on Dr. Manhattan didn't make sense to me. Even though Dr. Manhattan was blamed for destroying millions on US and Russian soil, Russia would still jump the gun and immediately send their nukes to the US. Hell, the entire world would blame the US. When people get pissed, they need to blame something. And when they blame something, they'll do something about it. There would still be a nuclear war.

I don't care if there wasn't a giant one-eyed vagina squid creature, but the thing that saves the world needed to be an alien threat! It had to be! Its what brought everyone together in "Independence Day".

That part made me cringe. Everything to that point, I felt-- "Okay, this is a nice tribute to Alan Moore's and Dave Gibbons's work. This is like a high budget fan film." But the ending-- the ending made me cringe!!!!

V for Vendetta still stands as the best Alan Moore inspired film.

I understand your pain, Mister Moore.

PS... Attempted rape isn't as fucked up as actual, or at least implied rape. This movie could've been more cynical. That's why the comic was great.

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Thursday, March 12, 2009

i09 - The Last Watchmen Story You Need Ever Read

http://io9.com/5167686/the-last-watchmen-story-you-need-ever-read

So I'm mentioned there too. A lot more comments on it.

...damn, should've charged 500 hundred for that piece.

Anyway, I assume that eventually Dave Gibbons and Alan Moore will get links to this site on their e-mail. So, addressed to both of them, here is an open letter:

Dear Revered Comic Book Gods,

I have enjoyed your work for many years. I have a bunch of "Give Me Liberty", I'm sorry, I haven't read "The Originals".

And to Mister Moore, you are why I read Tarot cards and why cute girls buy me drinks at bars because I do Tarot readings for them. You are my favorite writer. Please do not put a curse on me like you did to the movie to make it late.

---yeah, I'm a bit brain dead, I'm at work, about ready to go home and I've been watching old episodes of AstroBoy on a DVD player as I animate crowd scenes.

I really would have no idea what to say to Alan Moore or Dave Gibbons.

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Monday, March 9, 2009

Heidi MacDonald's THE BEAT

I was mentioned on the comics blog, "The Beat". Why? Because I depicted a US president getting sexually molested by a comic book character, that's why.

Actually, its more of a link to the LA Weekly blog. But I'm mentioned by name anyway and it ups my numbers when I narcissisticly google my name.

Although, I have had one e-mail asking where they could find an image of the entire thing and pointed them to this here blog.

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LA Weekly review of Physical Nostalgia

http://blogs.laweekly.com/style_council/art/rorschach-blue-marilyn-watchme/



"So wrong, and yet so dead on."

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Friday, October 17, 2008

Space Mexican at Webcomics Beacon

At the podcast Webcomics Beacon they did a short review of Speak No Evil: Melancholy of a Space Mexican.

Someones mic goes out in the middle of the review. I'm amused.

So check out their podcast. I'm always entertained by it, therefore, I will not tell you where to fast forward to, just so you can hear the review.

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Friday, September 26, 2008

This is everything I'm trying to avoid with comics.

I'm probably inviting something I could do without by posting this. So I'm not going to criticize the subject matter of Holy Comics!

I will, however, criticize the artists' limited understanding of human anatomy. Stringy arms. Stiff pose. Has he ever spent hours just looking at fabric? How it flows and dances with a slight breeze How its slavishly married to the forces gravity? The body looks flat. The waist is so thin. He could use a figure drawing class or two.

Also, the stroke around the "The Most Marvelous Mortal Man" is much too thick. I would stick with all caps. The logo in itself is pretty clever. But I think it could use a 3D element like Steranko's X-men logo.

I don't understand the cast shadow in front of Captain Miracle. Is there another Captain Miracle standing in front of him? And cast shadows are rarely that dark unless there's a powerful spotlight that's so hot, all the color would be washed out on the figure. Cast shadows usually fade off under usual lighting conditions.

This is a little better, I just did a quick five minutes on this. The pose lacks heroism, but it does look like he's trying to hail a cab. In the original, his feet weren't grounded. This is always very important, even if your composition has the feet cropped off. You have to know where and how a figure is standing. The Crucifix design doesn't contour with the volume of the body and makes the figure look flat. The original stage left arm is ambiguous in space. Is the arm receding in perspective?

You can check out a preview of Captain Miracle and other comics that have yet to be written or illustrated. Although, it is likely to be a very good joke.

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